Pretty in Print

Two recent publications that can’t be read online: the first in Gray’s Sporting Journal’s fortieth anniversary issue, the next in Songs of Ourselves, from Blue Heron Book Works.

If you can’t get to a newsstand, here’s what the opening spread of the Gray’s story looks like on an iPad.

 

The painting is by Alberto Rey and—in case you were hoping to add it to your collection—is already owned by the University of Virginia.

The story itself is set in Mexico and Montana. Although it’s absolutely fiction, the narrative roughly chronicles the puzzlement I feel both when stalking bonefish on the flats and trying to understand the so-called new economy. (Remember Touch America?)

My contribution to Songs of Ourselves, on the other hand, feels like a big departure from my usual work. Subtitled America’s Interior Landscape, the book wants to identify an idea that I’ve been searching for from Morocco to Mongolia: “the thing that makes us American.” As I was telling my sister today, my bit—which I called “The Journal of Infectious Diseases”—is “basically a memoir in the form of a collage.”

According to the Journal of Infectious Diseases, the most common reason for travel among tourists who contract cholera is—you guessed it—a visit with the relatives.

Trials and Trillium

It’s always painful to leave Montana, even under a spring snowstorm that slickened the interstate with a wash of cold gurry, a crystalline mix of sand and salt and ice that froze in a dark rime on the truck, stalactites on the fenders, pinwheels on the lug nuts.

But what I saw were sandhill cranes in the pale sky, antelope and mule deer in the whitened fields, streamers of cloud trailing from the gleaming peaks of the Crazies.

Five days later, having successfully navigated the hazards of Bad Route Road (Montana), Motley (Minnesota), and the 8614-foot long Mackinac Bridge (Michigan), I found the hills of Vermont newly green.

Bloodroot bloomed along the brook and, beneath the beeches, a red trillium.

Not that Iceman

Winter has been inconsistent so far, alternating freeze and thaw, but we’ve been grateful for snow.

I’d forgotten how pleasant it can be to watch the snow accumulate, sometimes slow, sometimes not, as capricious as memory.





Is it such a wonder that, when humans regard the world, they see themselves reflected in it?

No matter how many times I circled the stone, the smile remained.

Christmas in Vermont

According to old custom, newcomers to Vermont are called “flatlanders.” Because our family recently moved here from Montana, where the elevation of many riverbanks is a good deal higher than the peak of Mount Mansfield, I consider that a peculiar term. But, since I’m undeniably an outsider, I’ll save that discussion for another day.

This is not our first attempt to set up house here. In 1988, a few months before we left New England for the second time, we scanned the real estate ads with eager eyes, looking for anything within 30 miles of Woodstock that might prove affordable on a teacher’s salary.

As you might expect, we didn’t have much luck, although one enterprising agent did show us a derelict farmhouse with running water in the cellar. It was more of a brook, actually, and made a pleasant sound as it burbled through the foundation stones.

I was tempted by the prospect of flyfishing from the basement steps, but we couldn’t manage the mortgage. Even then, average property values near Woodstock were unrelated to average income.

Not that the place wouldn’t have made a good investment property. Although you can’t eat the scenery, there are plenty of folks willing to pay for it. By 2005, Woodstock’s median home value was $335,800, nearly twice the figure for Vermont as a state.

What do these residents get for their money? In December, it's the annual Wassail Parade: a cable-ready spectacle of horses, costumes, and costumed horses, in sizes from barndoor to wee beastie.

Still Life with Water Buffalo

When I look away from my desk, I can see a red barn, a weathered split-rail fence, one green corner of the upper pasture, and the gray stones of a small cemetery. It’s a traditional postcard scene, and appeared at least once on the cover of the L.L. Bean catalog.

This morning a quick movement caught my eye: our Shanghai cat, proceeding up the hill with all due speed, a limp mouse clenched in his teeth. And behind him—four water buffalo, looking as if they had just escaped from a Balinese rice paddy instead of a nearby dairy.


I don’t know anything about the practicalities of raising water buffalo on granite hillsides, but can report that Woodstock Water Buffalo makes real mozzarella and a densely creamy yogurt.

It took three guys holding big sticks to chase the four animals into a trailer, a tricky task that I complicated further by trying to take pictures. From the few words exchanged, I learned that water buffalo are not only headstrong and powerful, but naturally curious and easily distracted. In the end I was instructed to hide behind a truck.

The Limits of Landscape

Last week, looking north from Vermont’s Mount Ascutney, I really didn’t know what I was seeing. There were trees with leaves, trees with names that are hardly mentioned in Montana: maple, beech, ash, oak, and hornbeam.



From above, the landscape looked cozy and inhabited, with quilted patches of woodlot and pasture. It was a pleasant perspective, without the constant reproach of “No Trespassing” that I experience on the ground here.

Open space is better than urban sprawl, but I’ve been spoiled by Montana’s 32 million acres of public land—more than five times the area of the entire state of Vermont. An unfair comparison, I know, but consider these more impartial statistics: public land accounts for almost 35% of Montana, but only 8% of Vermont. No wonder I feel hemmed in.

Many locals seem to cultivate a healthy sense of ownership that extends far beyond the boundaries of their personal property. As a newcomer, I'm not there yet.