Another 36 Hours in Lisbon

At first, Seth Sherwood’s recent guide to Portugal’s capital city left me feeling as if I’d missed out on something. After all, our family had enjoyed several days and nights there in December—without experiencing many of the author’s designated highlights. In fact, we only managed two: the riverside running path that passes through the grand Praça do Comércio, and the gallery at the Museu Nacional de Arte Antiga that contains Bosch’s mind-altering Temptations of Saint Anthony.

Upon further reflection, however, I wouldn’t have missed any of the treasures that we bumbled into during our walks around the city. Here’s an abbreviated version of our visit.

Friday / 4:00 p.m.

To get a good view of everything Lisbon has to offer, begin your visit at Miradouro da Nossa Senhora do Monte. A miradouro is the Portuguese version of a scenic viewpoint, and Lisbon’s hills provide several great ones.

Friday / 8:00 p.m.

Our home base was a third-story walkup in the Alfama District, the oldest part of the city. There are many interesting-looking places to eat between the castle and the river, but after strolling up and down a few cobblestoned streets, we chose Bistrô Gato Pardo, at Rua de São Vicente 10. It’s an intimate and comfortable space, and each plate manages that rare achievement of disarming simplicity: beautiful to contemplate, wonderful to taste. We felt perfectly content to linger through a long dinner, two bottles of wine, dessert and coffee. Ask Mario and Werner to tell a few stories about the Sardine Festival (when the restaurant closes in the interests of self-preservation).

Saturday / 12:00 noon

After a morning run or walk, make your way to Portugalia’s cervejaria, a brewery turned beer hall at Rua São Caetano 4. Although the menu offers a number of the usual suspects, we recommend the house specialty: Bacalhau Bras (the half portion was enough for two of us). Its robust flavor of salt cod, potatoes, and olives is accompanied equally well by a glass of Bohemia or Imperial Branca.

Saturday / 2:00 p.m.

Confronted with a daunting list of worthwhile museums, we chose the one that seemed most emblematic of Lisbon itself: the tile museum. The Museu Nacional do Azulejo, Rua da Madre de Deus 4, is housed in a former convent whose sixteenth-century buildings provide a suitably meandering home for a wide-ranging collection. Although some taxi drivers may insist that the word azulejo comes from the Portuguese for “blue,” it more likely derives from the Arabic al zuleycha, which means “small polished stone.”

Saturday / 8:00 p.m.

Mini Bar Teatro, Rua António Maria Cardoso 58, is one of chef José Avillez’s five restaurants in Lisbon. We found the place on Friday, when it was already fully booked for dinner, and literally begged for a reservation for the following night. The food is inventive and showy, with foie gras masquerading as a Ferrero Rocher and a brilliant green sphere that transforms itself into a caiparinha in your mouth. The theater theme also extends to the traditionally liquid cocktails, which have names like Godot and Hairspray. After a few of these we laughed so hard that one of our party fell from a chair.

Sunday / 10:00 a.m.

By now you’ve probably tried at least a few of Lisbon’s many distinctive pastries, including the egg tarts known as pastéis de nata or, if you go directly to the source, pastéis de Belém. One of the city’s better versions is served at Versailles, an atmospheric café at Avenida Republica 15A. Although you’ll see locals happily standing and eating at the long counter, it’s worth waiting for a seat under the elegantly high ceiling.

Sunday / 1:00 p.m.

If you can’t leave Lisbon without at least a few souvenirs, then stop at A Arte da Terra, Rua Augusto Rosa 40. The shop is housed in the former stables of the city’s cathedral, just downhill from the Roman ruins, and the cobbled floor beneath your feet has been trod by both humans and horses for what has no doubt been donkeys of years. Individual displays of fine handicrafts are arranged in the stone mangers, and the retro tins of Portuguese sardines seem even more appealing when viewed beneath a centuries-old vault of brick.

Cheers from the past: A visit to Qingdao

In “The End of History Illusion,” Jordi Quoidbach, Daniel T. Gilbert, and Timothy D. Wilson measured the “personalities, values, and preferences” of nearly 20,000 people from the ages of 18 to 68. All “believed they had changed a lot in the past but would change relatively little in the future.” Try as I might, I suspect that I likewise would’ve fallen neatly into this sample.

Ten years ago, I had never been to Mongolia or Aruba and couldn’t have imagined my current relationship to these two places. In fact, I spent most of my time editing math books and pitching travel articles! This post was originally sold to Rezoom, a relatively short-lived site designed for aging baby boomers . . . 

Cheers from Qingdao

Because we were never properly introduced, I called him “The Screamer.” Nobody else paid any attention to the guy, who stood facing the Yellow Sea, bellowing a full-throated challenge to the dawn. With his mouth closed, he would have been just another member of the early-morning crowd—the women in one-piece tank suits and bathing caps, the men in nylon briefs—most of them over 50 years old and exhibiting no concern with either the chilly October temperatures or the American obsession with body image. They fished, swam, jogged, played volleyball, practiced gymnastic routines. While he screamed. I’m sure there was a reason for all the shouting, but I couldn’t muster enough Mandarin to ask.

I hadn’t learned much beyond the basics before this trip, just the traveler’s bare minimum of nihao (hello), xiexie (thank you), and yingwen maidan (English menu). That’s probably insufficient for a visit to some of China’s so-called “second-tier” cities, but it seemed to work in Qingdao, the cheerful home of what might be China’s most widely recognized foreign export: Tsingtao Beer. Despite the current difference in spelling, the name of the city and the brand are the same. Literally translated, Qingdao signifies “green island,” although it also sounds suspiciously like a word meaning “to pour.” Fortunately for vacationers, both definitions apply.

 

Although Shanghai and Beijing capture most of China’s first-time visitors, a smaller city like Qingdao can provide a less overwhelming introduction to the mainland. Its history mirrors that of the other former concessions in China: colonized by Europeans (in this case, Germans), invaded by Japanese (twice), liberated first by Nationalists, then by Communists, and most recently, by Capitalists. There are no tourist destinations on the order of Tiananmen Square or the Bund, but the city does have a lively pedestrian market, a regional cuisine based on fresh seafood, a fine old temple that’s been converted into a museum of folk customs—and much better air. Our well-traveled, sometimes finicky family of four, including a 9-year-old girl and 13-year-old boy, was never bored.

The most-quoted description of Qingdao goes something like this: “red roofs, green trees, blue sea, azure sky.” Not your typical jingle for an industrial city of 7 million, but stroll along Lu Xun Park’s seaside paths or hike to the top of Signal Hill and you will immediately recognize the aptness of this expression. 

There are still crowds, of course, but the density during our visit rarely surged past an entertaining level. I like watching people enjoy themselves—especially in China, where the faces are astonishingly varied and various: newlyweds posing for a photographer, formally attired in flawless white (except for the tennis shoes); grandmothers and grandsons, trousers rolled to the knee, netting crabs in tidepools; decorous old men airing their caged birds in a neighborhood square. As for the Screamer, who knows? Maybe he was really a cheerleader, practicing for 2008, when Qingdao hosted the sailing events for China’s first Olympic Games.

We stayed at the Huiquan Dynasty Hotel, for its strategic location—across the street from the No. 1 Beach. (From west to east, the city’s beaches are designated 6, 1, 2, and 3, in that order. The relatively quiet No. 2 became our family favorite.) We started each day with breakfast in the revolving restaurant on the 25th floor, then returned in the evening for foot massages, a few games of shuffleboard, or a bucket of balls at the indoor driving range.

Hotel restaurants in China can occasionally surprise you with good value and high quality. The Japanese restaurant at the Huiquan Dynasty served reasonably tasty sashimi, udon, and yakitori. Its Chinese counterpart, however, provided the sort of memories that will be forever accompanied by a rueful chuckle. The waitstaff alternated between staring and inattention. The dish we can’t forget was called “Laoshan vegetable,” after the famous nearby mountain. Intrigued by its spongy, almost fungal, texture, I made several inquiries regarding its source and preparation. All were in vain.

We enjoyed a much more satisfying feed at Chun He Lou (Spring Peace House), 146 Zhongshan Road. Although a plaque declared this “A Designated Unit for Foreign Tourists,” we noticed only one other obvious foreigner in the crowded, second-floor dining rooms. The house specialties included crispy chicken, crab with ginger and scallions, three-flavored dumplings, and chrysanthemum leaves with garlic.

West of Lu Xun Park, open-air seafood restaurants lined the road to the Navy Museum and Xiaoqingdao (Little Green Island). The day’s offerings were displayed curbside in rows of aerated tubs. You made your selections from this living, splashing menu, then chose the style of cooking. The best meal of the trip featured tender clams seasoned with small red chilies, scallops steamed in the shell, hairy crabs trussed with palm fibers, and several tall bottles of cold Tsingtao beer. All of that, plus a fine view of Huiquan Bay.

The Tsingtao Beer Museum traces the history of malt beverages from the ancient Sumerians forward to the contemporary Clydesdales. Between encounters with traditional fermentation vats and the “mystic yeast,” you could also pick up a few tips on beer appreciation, such as “serious swirling might easily be thought pretentious.” The 50 yuan admission fee included a souvenir glass, a taste of unfiltered brew, and a pitcher of draft. As the saying goes, “History is centuries old, but Tsingtao Beer will be fresh forever.”

Home from the River

October 6 marked the end of an inspirational season, with excellent conditions for sighting fish and only one day of snow. The biggest taimen measured a very conservative 55 inches, caught by Jim Hickey of Worldcast Anglers on a sculpin pattern.



After 14 hours on the so-called road, the guides and I rolled into Ulaanbataar looking forward to enjoying our first electrically chilled beers in more than a month. Because it was nearly midnight, the first half-dozen restaurants we entered were either already closing up or out of food but, finally, on the west side of Sukhbaatar Square, we found a place with the words "art" and "pub" on it, where the waiter was willing to bring us six plates of french fries and many cold bottles of Altan Gobi and Tiger (the tap for GEM, our favorite Mongolian brew, was sadly dry). Note: If you find yourself in the city at a more reasonable hour, I recommend the steak with roasted peppers at Veranda, the second floor of a restaurant called Silk Road, with a fine view of the monastery of the Choijin Lama.

Still Burning Bright

I am partial to stories of people who triumph over long odds, writers who succeed after decades of rejection, no matter how small the triumph, how secret the success. Then, of course, there are the grand tales of genius unrecognized.

According to one authoritative website, the poet and engraver William Blake worked so hard that, for one two-year interval, he left his home only to "fetch his beer."


Whirlwind of Lovers (Illustration to Dante's Inferno) 
Birmingham Art Gallery

Blake’s work will repay your consideration many times over. Few clear memories remain of my visit to London in 1982, but I do remember reading these words on a page in the British Museum:

“Some say that happiness is not good for mortals, & they ought to be answered that sorrow is not fit for immortals & is utterly useless to any one; a blight never does good to a tree, & if a blight kill not a tree but it still bear fruit, let none say that the fruit was in consequence of the blight.”